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  • Hull, 17th November, 1866 : Dear gentlemen, in answer to your advertisement, I beg to offer myself as a candidate for the office of Veterinary Surgeon to your honourable Board ... / T.B. Wright.
  • South India: boys and young men with leprosy making brass and copper utensils. Photograph by R. Howett, 19--.
  • An illustrated message about how AIDS spreads; an advertisement for the National AIDS Control Organisation, Ministry of Health and Family Welfare, Goverment of India. Colour lithograph by March 1993.
  • A Hindu ascetic hanging from hooks through his back (called "cetil"). Line engraving, 1791.
  • Brahman priest with a musical shell and a bell, being used at a religious ceremony, Calcutta, West Bengal. Coloured etching by François Balthazar Solvyns, 1799.
  • Wounded officers being carried on stretchers, Simla, Himachal Pradesh, India. Coloured lithograph.
  • India: ruins of the 'Cashmere Gate' at a water bastion near Delhi. Photograph by F. Beato, c. 1858.
  • A pagoda in India. Coloured engraving, ca. 1804-1811.
  • A a girl dances accompanied by musicians. Watercolour.
  • Indian acrobats performing. Gouache painting.
  • Lucknow, India: panoramic view from the Kaiser Bagh palace: section five. Photograph by Felice Beato, ca. 1858.
  • Methods of irrigation practised in India: use of bullocks to raise water from a well. Wood engraving by A.H., 1874.
  • A man with his performing bear watched by a group of people. Watercolour by an Indian painter, 18--.
  • A fish market in India. Gouache drawing, 18--.
  • A collection of Indian costumes, types and occupations. Gouache paintings by an Indian artist.
  • A busy stacking room in the opium factory at Patna, India. Lithograph after W. S. Sherwill, c. 1850.
  • Jammadar, or head servant-in-waiting to either Europeans or Indians, Calcutta, West Bengal. Coloured etching by François Balthazar Solvyns, ca. 1808-1812.
  • Tomb of Killader at Ouscottah, Karnataka. Coloured aquatint by H. Merke after James Hunter, 1804.
  • Suttee. Gouache painting by a painter of Thanjavur (Tanjore), ca. 1800.
  • Svāmihaṃsasvarūpakr̥tam Ṣaṭcakranirūpaṇacitram : bhāṣyasamalaṃkr̥taṃ bhāṣāṭīkopetañ ca = Shatchakra niroopana chittra with bhashya and bhasha containing the pictures of the different nerves and plexuses of the human body with their full description showing the easiest method how to practise pranayam by the mental suspension of breath through meditation only ; by Shri Swami Hansa Swaroop.
  • Svāmihaṃsasvarūpakr̥tam Ṣaṭcakranirūpaṇacitram : bhāṣyasamalaṃkr̥taṃ bhāṣāṭīkopetañ ca = Shatchakra niroopana chittra with bhashya and bhasha containing the pictures of the different nerves and plexuses of the human body with their full description showing the easiest method how to practise pranayam by the mental suspension of breath through meditation only ; by Shri Swami Hansa Swaroop.
  • The Kanheri caves on the island of Salsette, near Bombay, Maharashtra. Coloured aquatint by Thomas and William Daniell, 1800.
  • Palmyra palm trees (Borassus flabellifer) near Madras, India. Watercolour by H. Schlagintweit, 1855.
  • A syringe, the silhouette of a man injecting himself, a couple talking and a man receiving a blood transfusion in a bed; a warning about the risks of contracting AIDS through drug abuse and contaminated blood. Colour lithograph, ca. 1995.
  • Peruvian bark : a popular account of the introduction of chinchona cultivation into British India, 1860-1880 / by Clements R. Markham.
  • Musician with a percussion instrument made of two drums of different sizes joined together, and played with a drumstick, Calcutta, West Bengal. Coloured etching by François Balthazar Solvyns, 1799.
  • Mosque at Ghazipur, Uttar Pradesh. Etching by William Hodges, 1787.
  • A busy examining hall in the opium factory at Patna, India. Lithograph after W. S. Sherwill, c. 1850.
  • The entrance to the Great Chaitya Temple on the island of Salsette, Maharashtra. Coloured aquatint by Thomas and William Daniell, 1799.
  • Interior with reclining man holding snake-like hookah, Calcutta, West Bengal. Coloured etching by François Balthazar Solvyns, 1799.