86 results filtered with: Chemical apparatus
- Pictures
A chemist's laboratory, with the apparatus numbered for a key. Engraving, 1748.
Date: 1748Reference: 37127i- Pictures
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A chemist gives a demonstration involving arsenic to an audience. Coloured lithograph by H. Daumier, 1841.
Daumier, Honoré, 1808-1879.Date: 1841Reference: 16518iPart of: Actualités- Pictures
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An alchemist concentrates on a book in his study, while Death next to him tells him "My dear Herr Collaborator, you are are too hardworking". Gouache painting.
Reference: 37886i- Archives and manuscripts
M0012701: Illustration of glass apparatus
Date: September1952- Pictures
- Online
A putto pours a phial into a dragon's mouth, pumping a bellows with his other hand; representing the fixing of volatile matter in the alchemical process. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 38820iPart of: Splendor solis- Pictures
An alchemist reading a book of alchemical instructions; his assistants stirring a crucible on the other side of the room. Engraving by P.F. Basan after D. Teniers the younger.
Teniers, David, 1610-1690.Date: 1700-1799Reference: 498502i- Pictures
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An alchemist in a short orange gown blowing bellows into a still with an alembic. Pastel drawing.
Reference: 37898i- Pictures
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A crowned alchemical flask containing a young king, dressed in red, representing the culmination of the alchemical process. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 38827iPart of: Splendor solis- Pictures
- Online
A three headed monster in an alchemical flask, representing the composition of the alchemical philosopher's stone: salt, sulphur, and mercury. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 38824iPart of: Splendor solis- Pictures
- Online
A seated man in a monk's habit, blowing bellows, with an alembic. Pencil drawing.
Reference: 37913i- Pictures
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The chemical laboratory of Ambrose Godfrey. Etching attributed to W.H. Toms after H. Gravelot.
Gravelot, Hubert François, 1699-1773.Date: [between 1730 and 1739?]Reference: 575764i- Pictures
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London Mechanics' Institute, Southampton Buildings, Holborn: the interior of the laboratory, in a cellar. Wood engraving by W. C. Walker after Mr. Davy [1828].
Davy, Mr, active 1828.Date: 1828Reference: 24370i- Pictures
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An alchemist at a furnace with a large 'receiver', with diagrams of alchemical apparatus. Woodcut, 1658.
Date: 1658Reference: 36251i- Pictures
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Nathan Lacy. Engraving by A. Della Via.
Via, Alessandro dalla, active 1688-1724.Date: 1692Reference: 23319i- Pictures
A philosopher in his study, reading a book containing a print of a skeleton. Etching by J.A. von Prenner, 1728, after C. Paudiss.
Paudiss, Christoph, approximately 1625-1666.Date: 1728Reference: 36385iPart of: Theatrum artis pictoriae, quo tabulae depictae quae in Caesarea Vindobonensi pinacotheca servantur.- Pictures
- Online
A noblewoman and two noblemen examining some gold produced by an alchemist. Engraving by G. Greatbach after A.H. Tourrier.
Tourrier, Alfred Holst, 1836-1892.Reference: 35394i- Pictures
A man and a woman demonstrating the process of fermentation and distillation in alchemy. Etching, ca. 17th century.
Reference: 36178i- Pictures
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A large chemical laboratory filled with apparatus and types of glass vessel. Engraving, 1778.
Date: 1778Reference: 37175i- Pictures
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Design for a general chemical laboratory, with the apparatus numbered. Etching by A.W. Warren, 1822, after C. Varley.
Varley, Cornelius, 1781-1873.Date: 1822Reference: 37755i- Pictures
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A chemical laboratory with four chemists; one looks into a furnace. Engraving.
Reference: 37787i- Books
Semimicro-methods for the elementary analysis of organic compounds / by Eduard Sucharda and Bobuslaw Bobranski. Authorized translation by George W. Ferguson.
Sucharda, Eduard.Date: 1936- Pictures
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A woman performing chemical experiments with a furnace: representing chemistry. Etching by E-J-N. de Ghendt after C-N. Cochin the younger, 1773.
Cochin, Charles Nicolas, 1715-1790.Date: 1773Reference: 25687i- Pictures
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Johannes Daniel Mylius. Line engraving, 1620.
Date: 1620Reference: 7127i- Pictures
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King George III analysing the residue from a large glass retort containing a small figure; representing the English view of Napoleon. Coloured aquatint by T. West, 1803.
West, Temple, approximately 1740-1783.Date: July 1803Reference: 12196i- Pictures
An alchemist hunched over his crucible; an assistant reads him a recipe, watched by an onlooker; the alchemist's wife weeps in the dim background, a baby clasped to her breast. Engraving by J. Boydell, c. 1760, after J. Steen.
Steen, Jan, 1626-1679.Reference: 35481i