Mr. Punch's history of the great war.

  • Graves, Charles L. (Charles Larcom), 1856-1944.
Date:
1919
Catalogue details

Licence: In copyright

Credit: Mr. Punch's history of the great war. Source: Wellcome Collection.

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    Germany U>nmasked September, igi4. IOTHER month of revelations and reticences, of carnage and destruction, loss and gain, with the miracle of the X A. Marne as the first great sign of the turning of the tide. On September 3 the Paris Government moved to Bordeaux, on the 5th the retreat from Mons ended, on the 13th Joffre, always unboastful and laconic, announced the rolling back of the invaders, on the 15th the battle of the Aisne had begun. What an Iliad of agony, endurance and heroism lies behind these dates—the ordeal and deliverance of Paris, the steadfast¬ ness of the “Contemptibles,” the martyrdom of Belgium! Day by day Germany unmasks herself more clearly in her true colours from highest to lowest. The Kaiser reveals him¬ self as a blasphemer and hypocrite, the Imperial crocodile with the bleeding heart, the Crown Prince as a common brigand, the High Command as chief instigators to ferocity, the rank and file as docile instruments of butchery and torture, content to use Belgium women as a screen when going into action. THE TWO GERMANIES Marvellous the utter transformation Of the spirit of the German nation ! Once the land of poets, seers and sages, Who’ enchant us in their deathless pages, Holding high the torch of Truth, and earning Endless honour by their zeal for learning. Such the land that in an age uncouther Bred the soul-emanciipating Luther. Such the land that made our debt the greater By the gift of Faust and Struwwelpeter. Now the creed of Nietzsche, base, unholy, Guides the nation’s brain and guides it solely. Now Mozart’s serene and joyous magic Yields to Richard Strauss, the haemorrhagic.* * Great play is made in Strauss’s Elektra with the slippery blood ” motive.