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  • The four elements, four qualities, four humours, four seasons, and four ages of man. Airbrush by Lois Hague, 1991.
  • An opinionated child ignores his parents; representing the faculty of obstinacy in phrenology. Steel engraving, 1847, after H. Bruyères.
  • Phrenological head of Lord Ellenborough as Governor General of India 1841-1844. Lithograph, ca. 1844.
  • A bust showing a phlegmatic-sanguine temperament. Drawing, c. 1792.
  • A man sitting erect on a chair; representing pride as a type of the 'sentiment' of self esteem, a phrenological 'faculty'. Steel engraving by C. Devrits, 1847, after H. Bruyères.
  • Four physiognomies expressing the propensity to command. Drawing, c. 1792.
  • A woman whose physiognomy expresses (according to Lavater) weakness, affectation and languor. Engraving by Barlow, 19th century, after J.M. Schmutzer.
  • Profile of a man displaying a choleric temperament. Drawing, c. 1792.
  • A man woos a woman in a garden; representing the sanguine temperament. Engraving by R. Sadeler after M. de Vos.
  • A head containing over thirty images symbolising the phrenological faculties. Wood engraving, c. 1845, after O.S. Fowler (?).
  • A man whose physiognomy expresses penetration, quickness, and a talent for communication. Drawing, c. 1789.
  • An Italian brigand attacking a gentleman on a road; exhibiting the phrenological 'propensity' of 'destructiveness'. Steel engraving by S. Wolff, 1847, after H. Bruyères.
  • A head containing over thirty images symbolising the phrenological faculties, accompanied by a key. Coloured lithograph, c. 1875, after O.S. Fowler (?).
  • A head containing over thirty images symbolising the phrenological faculties. Wood engraving, c. 1845, after O.S. Fowler (?).
  • A bath-house containing six men and an onlooker, perhaps an allegory of the four humours and five senses. Photolithograph after A. Dürer, c. 1496.
  • Three mouths with variously projecting lips. Drawing, c. 1793.
  • Eight heads showing human passions. Etching by Taylor, 1788, after C. Le Brun.
  • Four heads of men who each exhibit one of the four temperaments: (clockwise from top left) lymphatic, sanguine, bilious, and nervous. Engraving by W. Johnson and A.K. Johnson, early 19th century.
  • A face void of all discernible connection with temperament or expression. Drawing, c. 1792.
  • Men of opposing social classes in a game of boules; illustrating the faculty of weight and resistance in phrenology. Steel engraving by A. Portier, 1847, after H. Bruyères.
  • The four elements, four qualities, four humours, four seasons, and four ages of man. Airbrush by Lois Hague, 1991.
  • The devil examining the head of a boy; three other boys lurk under the devil's wings; frontispiece to a manual on phrenology. Steel engraving by J.D. Nargeot, 1847, after H. Bruyères.
  • Four men of different temperaments looking at a painting of a dying man. Engraving by Grignion after D. Chodowiecki.
  • A head marked with images representing the phrenological faculties, with a key below. Coloured wood engraving, ca. 1845, after H. Bushea and O.S. Fowler (?).
  • A woman whose face exemplifies the phlegmatic temperament. Drawing, c. 1789.
  • Two masks showing physiognomies expressing complaisance (left) and probity (right). Drawing, c. 1789.
  • Four heads of men who each exhibit one of the four temperaments: (clockwise from top left) lymphatic, sanguine, bilious, and nervous. Engraving by W. Johnson and A.K. Johnson, early 19th century.
  • A woman in evening dress, attended by a man; the woman representing the 'sentiment' of self esteem, a 'faculty' according to phrenology. Steel engraving by J-I-L. Desjardins, 1847, after H. Bruyères.
  • A man woos a woman in a garden; representing the sanguine temperament. Engraving by after M. de Vos.
  • Phrenological head of Lord Ellenborough as Governor General of India 1841-1844. Lithograph, ca. 1844.