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Cruikshank, George, 1792-1878Reset filters
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  • A short dentist (standing on a stool) extracting a tooth from an extremely tall lady who in her agony kicks over his work table. Coloured etching by G. Cruikshank, 1821, after A.E.
  • A dancing demonstration in a school, attended by the pupils' families and friends. Etching by George Cruikshank.
  • Four scenes of the beginning of a dental operation involving a dentist trying to extract a distraught patient's tooth. Coloured wood engraving by G. Cruikshank(?) after H. Mayhew.
  • Tabitha Grunt a hypochondriac who appears to suffer from many illnesses, consulting a bemused looking doctor. Coloured reproduction of an etching after G. Cruikshank, 1813.
  • An ill man next to his empty hearth tormented by the miseries of life; presented surrounded by assorted chastising demons. Coloured etching by G. Cruikshank, 1835.
  • Mr. Lambkin (right) being introduced to a ballet dancer. Lithograph after G. Cruikshank.
  • Vendors of various types of remedies consulting about a patient; the vendors represented by their respective treatments and the patient by a goose. Etching by G. Cruikshank, 183-.
  • Mr. Lambkin at a party with some unsavoury looking company. Lithograph by G. Cruikshank.
  • John Abernethy. Coloured etching by Cruikshank, 1828.
  • Two men are standing behind the counter of a pawnbroker's shop in London, examining some articles of clothing which have been brought in to pawn. Etching by George Cruikshank, 1836.
  • Vendors of various types of remedies consulting about a patient; the vendors represented by their respective treatments and the patient by a goose. Process print, 19--, after G. Cruikshank, 183-.
  • The drunkard's children. A sequel to The bottle. In eight plates / With a poem by by Charles Mackay.
  • Sir Francis Burdett conjuring up a ghost, expecting it to be that of Lord Edward Fitzgerald, but the ghost of William Pitt the younger appears. Coloured etching by G. Cruikshank, 1813.
  • Police raid a lodging house at night and arrest a convicted thief. Etching by G. Cruikshank, 1848, after himself.
  • Mr. Lambkin drunk on champagne sitting in a carriage at Epsom with lots of other drunken bachelors. Lithograph by G. Cruikshank.
  • Simon Paap, a dwarf. Etching by G. Cruikshank.
  • Mr. Lambkin (right) being introduced to a ballet dancer. Lithograph after G. Cruikshank.
  • Mr. Lambkin out walking in Kensington Gardens hoping to bump into his loved one, he discovers her on the arm of another man which causes him much jealousy. Lithograph by G. Cruikshank.
  • An Italian bandit offering a French gentleman the piebald one of three 'hottentot' (steatopygous) women; representing Louis Sambon and Raphael Blanchard at an international medical congress. Halftone after M.S. Orr, 1913.
  • A drunken man and woman lean against pillars leading to a giant distillery with attendant demon; miscellaneous characters round as border. Etching by G. Cruikshank, 1833, after himself.
  • A man destroys his entire wine stock to the horror of his wife. Wood-engraving by J. Johnston, c. 1864, after G. Cruikshank.
  • A prisoner lies dying in his bed, his life ruined by earlier frivolity. Coloured etching by G. Cruikshank, 1848, after himself.
  • A family is about to return from their holiday in a London townhouse. Etching by George Cruikshank after S.K.
  • John Abernethy. Coloured etching by Cruikshank, 1828.
  • Heads of different types of people in connection with the law. Etching by George Cruikshank after himself.
  • The drunkard's children. A sequel to The bottle. In eight plates / With a poem by by Charles Mackay.
  • Three London scenes: a man being cajoled by two prostitutes, a young man being accosted by two debt-collectors, and a physician attending a patient. Coloured etching by G. Cruikshank after J. Sheringham, 1821.
  • An attack on smallpox vaccination and on the Royal College of Physicians' advocacy of it. Coloured etching by G. Cruikshank, 1812.
  • A drunken man at home with his starving and ruined family. Etching by G. Cruikshank, 1847, after himself.
  • An almost deserted street in London in the early morning: a woman serves a man and a boy with a hot drink, and a policeman rests against a bollard. Etching by George Cruikshank, 1839.