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Lairesse, Gérard de, 1640-1711Reset filters
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  • Ontleding des menschelyken lichaams ... / uitgebeeld, naar het leeven ... door G. de Lairesse.
  • A deep dissection of the muscles of the thigh. Engraving after G. de Lairesse, 1739.
  • The muscles of the back of the lower left leg. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • The extensor muscles of the foot dissected and left attched at their insertions. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • Muscles of the thigh, seen from the front. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • Muscles of the back and shoulder. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • Three figures of the muscles of the foot, showing the sole of the foot progressively dissected.
  • Anatomia humani corporis, 105 tabulis / per ... G. de Lairesse ... delineatis, demonstrata.
  • A suspended lower arm from which the skin and fatty layer has been removed to reveal the muscles. Next to it is a knife and a surgical instrument case with its lid. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • The muscles of the arm, elbow and shoulder and the bones of the lower arm. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis, 105 tabulis / per ... G. de Lairesse ... delineatis, demonstrata.
  • The muscles of the lower arm which act on the fingers, thumb and wrist raised from their origins and left at their insertions. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis, 105 tabulis / per ... G. de Lairesse ... delineatis, demonstrata.
  • Anatomia humani corporis, 105 tabulis / per ... G. de Lairesse ... delineatis, demonstrata.
  • A deep dissection of the muscles of the thigh, seen from the back. Engraving after G. de Lairesse, 1739.
  • The muscles of the lower leg. Engraving after G. de Lairesse, 1739.
  • Anatomia humani corporis / centum & quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata.
  • The liver and the kidneys. Engraving, 1686, the third, fourth and fifth figures after G. de Lairesse, 1685.
  • The sacrifice of Iphigenia or Polyxena: the victim is about to have her throat cut and her blood caught in a bowl when a god with a drawn sword appears. Etching by G. de Lairesse.
  • The muscles of the lower leg with the tendons separated from each other. Engraving after G. de Lairesse, 1739.
  • Harpies try to keep open the doors of the temple of Janus, but they are clubbed by Hercules. Mezzotint by A. Blooteling after G. Lairesse.
  • The muscles of the left hip and thigh dissected away to expose the bones of the hip and the head of the femur. Engraving after G. de Lairesse, 1739.
  • Muscles of the back and abdomen. Engraving, 1686, after Gérard de Lairesse, 1685.
  • The ribs. Engraving after G. de Lairesse, 1739.