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  • A Chinese physician sitting on a throne (?) surrounded by fruits, flowers and insects. Engraving.
  • A man barricades himself in with a panoply of protections against the cholera epidemic, the latter represented as a hag; representing an overabundance of useless advice concerning protection against cholera. Coloured etching by J.B. Wunder, c. 1832.
  • Children playing at being doctors and pharmacists, mother and grandmother approach through a door. Mezzotint by W.J. Edwards after F.D. Hardy.
  • Christ as apothecary; suggesting the idea of Christ as the universal healer. Reproduction of a photograph of an oil painting after J. Marie Appeli, 1731.
  • A man barricades himself in with a panoply of protections against the cholera epidemic, the latter represented as a hag; representing an overabundance of useless advice concerning protection against cholera. Coloured etching by J.B. Wunder, c. 1832.
  • The interior of a shop of a family of apothecaries - d' Ailly. Photoprint by V.A Bruckmann, 1904, after an oil painting by J. Jelgerhuis Rienksz, 1818.
  • An apothecary sitting in his shop, sorting through materia medica, surrounded by paraphernalia of his profession. Engraving, ca. 1750.
  • A pharmacist (Louis Phillippe) making up a prescription for a seated lady, surrounded by figures in apothecary jars; representing members of the French government and various political matters. Lithograph by J.I. Grandville, 1832.
  • Wellcome Historical Medical Museum, Wigmore Street, London: interior of a reconstruction of a seventeenth-century English apothecary's shop. Photograph.
  • A group of children playing at being doctors and pharmacists, mother and grandmother approach through a door. Photogravure after F.D. Hardy.
  • A market selling drugs and materia medica. Etching by J. Phillips, 18--.
  • An apothecary publically preparing the drug theriac, under the supervision of a physician. Woodcut.
  • A woman extravagantly equipped to deal with the cholera epidemic of 1832; representing the abundance of dubious advice on how to combat cholera. Etching, c. 1832.
  • Ambrosia altera.
  • A monkey holding a clyster in an apothecary's shop. Engraving after D. Teniers the younger.
  • Ambrosia altera.
  • De simplicibus medicamentis ex Occidentali India delatis, quorum in medicina vsus est. / Auctore D. Nicolao Monardis Hispalensi medico; Interprete Carolo Clusio Atrebate.
  • Aesculapius and other ancients are presented with exotic materia medica from the far east, which are turned into medicines in a pharmaceutical elaboratory. Oil painting by Johannes Prey, 1791.
  • A man absurdly well-prepared for the cholera epidemic of 1832; representing the overabundance of questionable remedies and protections against cholera. Watercolour, c. 1832.
  • A surgeon treating an elderly man's foot, in the background an assistant is mixing a concoction with a pestle and mortar. Lithograph after D. Teniers, the younger.
  • Children playing at being doctors and pharmacists, mother and grandmother approach through a door. Mezzotint by W.J. Edwards after F.D. Hardy.
  • A woman extravagantly equipped to deal with the cholera epidemic of 1832; representing the abundance of dubious advice on how to combat cholera. Etching, c. 1832.
  • Ambrosia altera.
  • Wellcome Historical Medical Museum, Wigmore Street, London: an exhibition of materia medica. Photograph, 1913.
  • Ambrosia altera.
  • Ambrosia altera.
  • An African medicine man cupping and bleeding two patients. Wood engraving by Dalziel after J. Leech.
  • Ambrosia altera.
  • A nun with two children in a convent pharmacy, surrounded attributes of the trade. Lithograph by André after E. Pingret.
  • Ambrosia altera.