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Le Brun, Charles, 1619-1690Reset filters
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  • A boy weeping (left) and a man weeping (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A bearded man expressing scorn. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Heads. Representing the various passions of the soul; as they are expressed in the human countenance / [Charles Le Brun].
  • Three faces: expressing desire (top) and peaceful joy (bottom left), and laughing (bottom right). Engravings after C. Le Brun.
  • Six faces expressing the human passions: (clockwise from top left) attention, admiration with astonishment, veneration, simple bodily pain, joy with tranquility, and admiration. Coloured etching, c. 1800, after C. Le Brun.
  • Angels serve Christ with food after his ordeal in the wilderness. Engraving by J. Mariette after C. le Brun.
  • A monument supported by crossed porte-crayons and surmounted by the head of an angel: frontispiece to the depictions of the passions. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • A female face expressing desire. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • A man with his mouth open in terror. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • Hands in various gestures, including prayer and benediction. Engraving after C. Le Brun.
  • A female face expressing admiration tinged with astonishment. Engraving by M. Engelbrecht, 1732, after C. Le Brun.
  • Sixteen faces expressing the human passions. Coloured engraving by J. Pass, 1821, after C. Le Brun.
  • Four physiognomies. Drawings, c. 1789.
  • Two faces representing fear and sadness, left and right respectively. Etching by B. Picart, 1713, after C. Le Brun.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • Four physiognomies. Drawings, c. 1789.
  • The head of an ox and the head of an ox-like man: three figures of each, showing their physiognomical relations. Etching, c. 1820, after C. Le Brun.
  • A female face expressing admiration. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • A face expressing rapture. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Two heads, both in states of fear. Engraving after C. Le Brun.
  • Two male faces expressing anger mingled with fear. Etching by B. Picart, 1713, after C. Le Brun.
  • A woman whose face expresses sadness. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • The face of a bearded man expressing anger. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A female face expressing admiration. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Hercules rescuing Hesione from a sea-monster. Engraving by B. Picart after C. Le Brun.
  • Saint Teresa of Avila: she kneels in her convent cell as the Holy Ghost shines on her. Line engraving after C. Lebrun.
  • A man glowering, expressing hatred or jealousy. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Daedalus attaching wings to the shoulders of his son, Icarus. Stipple engraving by G.S. and J.G. Facius, 1779, after C. Lebrun.