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  • Atalanta fvgiens, hoc est emblemata nova de secretis naturae chymica. Accommodata partim oculis & intellectui, figuris cupro incisis, adjectisqúe sententiis, epigrammatis & notis, partim auribus & recreationi animi plus minus 50 fugis musicalibus trium vocum, quarum duÆ ad unam simplicem melodiam distichis canendis peraptam, correspondeant ... / authore Michaele Majero.
  • A three headed monster in an alchemical flask, representing the composition of the alchemical philosopher's stone: salt, sulphur, and mercury. Watercolour painting by E.A. Ibbs.
  • A dwarfish alchemist, caricatured because of the vanity of his obsession. Line engraving, c. 1720.
  • Three men ride through the sky on black, red and white lions (colours of the alchemical process); beneath, men lay sprawled among dismembered limbs. Coloured etching after etching, ca. 17th century.
  • A young woman, perhaps Prudentia, warns an alchemist of the dangers of abusing fire: in the background fires rage in buildings and mines. Engraving by C. de Passe after M. de Vos, 16th century.
  • Tripvs avrevs, hoc est, tres tractatvs chymici selectissimi, nempe I. Basilii Valentini ... Practica vna cum 12. clauibus & appendice, ex Germanico: II. Thomæ Nortoni ... Crede mihi seu ordinale, ante annos 140. ab authore scriptum, nunc ex anglicano manuscripto in latinum translatum, phrasi cuiusque authoris vt & sententia retenta; III. Cremeri cvivsdam ... Abbatus Westmonasteriensis ... Testamentum, hactenus nondum publicatum. Nunc in diuersarum nationum gratiam / editi, & figuris cupro affabre incisis ornati operâ & studio Michaelis Maieri.
  • Atalanta fvgiens, hoc est emblemata nova de secretis naturae chymica. Accommodata partim oculis & intellectui, figuris cupro incisis, adjectisqúe sententiis, epigrammatis & notis, partim auribus & recreationi animi plus minus 50 fugis musicalibus trium vocum, quarum duÆ ad unam simplicem melodiam distichis canendis peraptam, correspondeant ... / authore Michaele Majero.
  • A young woman, perhaps Prudentia, warns an alchemist of the dangers of abusing fire: in the background fires rage in buildings and mines. Engraving by C. de Passe after M. de Vos, 16th century.
  • The actor Dodd as Abel Drugger in Ben Jonson's 'The alchemist'. Engraving by J. Thornthwaite after S. de Wilde.
  • An alchemist concentrates on a book in his study, while Death next to him tells him "My dear Herr Collaborator, you are are too hardworking". Gouache painting.
  • A lady visiting an alchemist in his laboratory. Oil painting attributed to Jan Josef Horemans, 17--.
  • A philosopher in his study, reading a book containing a print of a skeleton. Etching by J.A. von Prenner, 1728, after C. Paudiss.
  • Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
  • Thesaurus thesaurorum
  • A prince, clad in gold, succeeds the King; representing a stage in the alchemical process. Watercolour painting by E.A. Ibbs.
  • Three-tiered symbolic diagram of the art of alchemy: top level, symbols of the states of matter; middle level, cabalistic diagrams; lower level, the two techniques of alchemy: distillation and calcination. Engraving by R. Custos, 1616.
  • A young man blowing a bellows, while an alchemist, chemist or goldsmith watches through spectacles. Engraving by C. Guttenberg after F. van Mieris.
  • Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
  • An alchemist reading in a romanticised laboratory setting. Watercolour painting, 19th century.
  • Atalanta fvgiens, hoc est emblemata nova de secretis naturae chymica. Accommodata partim oculis & intellectui, figuris cupro incisis, adjectisqúe sententiis, epigrammatis & notis, partim auribus & recreationi animi plus minus 50 fugis musicalibus trium vocum, quarum duÆ ad unam simplicem melodiam distichis canendis peraptam, correspondeant ... / authore Michaele Majero.
  • D.O.M.A. Alchymia Andreae Libavii, recognita, emendata, et aucta, tum dogmatibus et experimentis nonnullis; tum commentario medico physico-chymico: qui exornatus est variis instrumentorum chymicorum picturis; partim aliunde translatis, partim planè novis ... : praemissa defensione artis opposita censurae Parisianae.
  • A dwarf alchemist and his assistant standing by a crucible. Etching, 18th century.
  • A black sun with a face descends behind the horizon of a marshy landscape; representing the state of putrefaction in alchemy. Watercolour painting by E.A. Ibbs.
  • Alchemy: a workshop with furnaces and apparatus, the alchemist in the foreground tying up a leather bag. Watercolour, 1934, by V. Kaliba after K. Stapfer after a 17th century MS.
  • An alchemist holding tongs at his furnace. Etching by J. Wagner after D. Maggiotto.
  • Thesaurus thesaurorum
  • Garrick, Burton and Palmer in a production of Ben Jonson's 'The alchemist'. Mezzotint, 1772 (?).
  • D.O.M.A. Alchymia Andreae Libavii, recognita, emendata, et aucta, tum dogmatibus et experimentis nonnullis; tum commentario medico physico-chymico: qui exornatus est variis instrumentorum chymicorum picturis; partim aliunde translatis, partim planè novis ... : praemissa defensione artis opposita censurae Parisianae.
  • Henrici Cornelii Agrippae ab Nettesheym ... De occulta philosophia libri tres .... / [Heinrich Cornelius Agrippa von Nettesheim].
  • Men vainly seeking alchemical 'white' (mercurial) water in the ground and in trees. Coloured etching after etching, ca. 17th century.