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Leonardo, da Vinci, 1452-1519Reset filters
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  • Saint Mary (the Blessed Virgin) with Saint Catherine of Alexandria and Saint Barbara. Engraving by J. Steinmüller, 1827, after Leonardo da Vinci (?).
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Twenty-four grotesque heads. Process print after L. Da Vinci.
  • Decapitation of Saint John the Baptist. Lithograph by J. Dickson after Cesare da Sesto.
  • Bust of a lean male, looking down to his lower right. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1648.
  • Head and shoulders of a hideous old woman wearing an escoffin over a wimple. Colour stipple engraving by B. Pastorini, 1806, after L. da Vinci.
  • Inventions: various illustrations taken from mediaeval or later manuscripts. Process print, 1905.
  • Beauty: illustrated chiefly by an analysis and classification of beauty in women / Preceded by a critical view of the general hypotheses respecting beauty, by Hume, Hogarth, Burke, Knight, Alison, etc., and followed by a similar view of the hypotheses of beauty in sculpture and painting by Leonardo da Vinci, Winckelmann, Mengs, Bossi, etc. By Alexander Walker. Illustrated by drawings from life, by Henry Howard.
  • Bust of a lean male, looking down to his lower right. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1648.
  • Cross-section of skull in profile view, showing the intercranial nerves and vessels. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Leonardo da Vinci. Stipple engraving by F. Bartolozzi, 1795, after Leonardo da Vinci.
  • A male torso without an arm, in left profile view. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1645.
  • Leonardo da Vinci. Stipple engraving by F. Bartolozzi, 1795, after Leonardo da Vinci.
  • Torso of a man, seen from the back, with the muscles emphasized. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1645.
  • Beauty: illustrated chiefly by an analysis and classification of beauty in women / Preceded by a critical view of the general hypotheses respecting beauty, by Hume, Hogarth, Burke, Knight, Alison, etc., and followed by a similar view of the hypotheses of beauty in sculpture and painting by Leonardo da Vinci, Winckelmann, Mengs, Bossi, etc. By Alexander Walker. Illustrated by drawings from life, by Henry Howard.
  • Head and neck of an elderly man, seen in left profile. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1648.
  • Leonardo da Vinci. Mezzotint by C. Townley, 1777, after Leonardo.
  • Muscles of upper limbs, thorax, head and neck: six figures. Engraving, 1796.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Engineering: a hoist in use at an arsenal. Engraving by F. Bartolozzi, 1796, after Leonardo da Vinci.
  • Saint Mary (the Blessed Virgin) with the Christ Child. Engraving by J. Juster after Leonardo.
  • A male torso without an arm, in left profile view. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1645.
  • Saint Jude Thaddaeus. Stipple engraving by A. Rogat after E. Bourgeois after Leonardo da Vinci.
  • Beauty: illustrated chiefly by an analysis and classification of beauty in women / Preceded by a critical view of the general hypotheses respecting beauty, by Hume, Hogarth, Burke, Knight, Alison, etc., and followed by a similar view of the hypotheses of beauty in sculpture and painting by Leonardo da Vinci, Winckelmann, Mengs, Bossi, etc. By Alexander Walker. Illustrated by drawings from life, by Henry Howard.
  • I manoscritti di Leonardo da Vinci della Reale biblioteca di Windsor : Dell'anatomia, fogli B / pub. da Teodoro Sabachnikoff, transcritti ed annotati da Giovanni Piumati, con traduzione in lingua francese.
  • Leonardo da Vinci. Woodcut by T. Stimmer, 1589, after L. da Vinci.
  • Characters and caricatures; the idealized heads of Saint John and Saint Paul are contrasted with grotesque heads, above them rises a cloud of faces showing different expressions. Etching by W. Hogarth.
  • Leonardo da Vinci. Etching after C. G. Gerli, 1784, after Leonardo da Vinci.
  • Leonardo da Vinci. Line engraving by R. Morghen after Leonardo da Vinci.
  • Martyrdom of Saint Sebastian. Engraving by L. Flameng after Leonardo da Vinci (?).