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  • While the holy family rest on the way to Egypt, an angel bends a palm tree to provide them with dates. Etching.
  • Two people reach out to touch the tree of life and hope surrounded by dragonflies, frogs, birds and a butterfly representing an Aboriginal depiction of the cycle of life and the role people must play to ensure an AIDS free future. Colour lithograph by Zane Saunders, March 1993.
  • In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.
  • The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.
  • The angel Raphael appears among the animals in the garden of Eden to gaze upon Adam and Eve. Aquatint with etching by R. Pollard, 1792, after C. Metz.
  • Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.
  • A personified condom in the centre surrounded by a series of illustrated scenarios demonstrating that condoms are safe and hygienic; a safe-sex and AIDS prevention advertisement by the Anti-AIDS Foundation in Spain. Colour lithograph by Estudio Marisco, 1990.
  • The serpent passes the fruit to Eve while Adam holds onto a branch. Line engraving after A. Durer.
  • Eve picks the apple from the tree as the serpent emerges. Etching by J.E. Ridinger after himself, c. 1750.
  • Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.
  • Three goddesses dance around the Tree of Knowledge. Engraving by J. Payrau, 1901, after E. Burne-Jones.
  • A woman looking into a hand-mirror; in the background God shows Adam and Eve the tree of knowledge. Engraving by N. de Bruyn after M. de Vos.
  • Eve tempting Adam. Engraving by J. Massard, 1787, after C. Cignani.
  • A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.
  • The temptation of Adam. Lithograph by N. Consoni after Raphael.
  • Adam and Eve are expelled from Eden by a sword-bearing angel. Woodcut.
  • While the holy family rest on the way to Egypt, Joseph bends over a palm tree to provide them with dates. Engraving by F. Brizio after A. Allegri, il Correggio.
  • Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • The animals look on as the angel expels Adam and Eve from paradise. Engraving by C.J. Visscher.
  • God creates Eve; she tempts Adam. Engraving by Scotin, c. 1765.
  • A tree bearing apples labelled with virtues; representing the life of Christian virtue. Coloured lithograph, 1870, after J. Bakewell, 1771.
  • In the Garden of Eden, Eve offers Adam the apple. Line engraving by C. Galle after G.B. Paggi.
  • Leiden, the Netherlands: the University, Anatomy theatre, Botanic garden, Lakenhal, city and two portraits of Counts. Line engraving.
  • A serpent with a woman's head lurks in the Tree of Knowledge above Adam and Eve. Chromolithograph after Masolino.
  • A serpent/woman coils around the tree of life which stands between Adam and Eve. Engraving by J.T. Richomme, 1814, after Raphaël.
  • Eve presents Adam with the apple. Etching by J.E. Ridinger after himself, c. 1750.
  • Eve is reproached for eating the forbidden fruit. Etching by J.E. Ridinger after himself, c. 1750.
  • Surrounded by animals in the Garden of Eden, Eve ascends from Adam's side. Line engraving by J. Haeyler after C. van den Broeck.
  • Adam and Eve are expelled from Eden by a sword-bearing angel. Lithograph by N. Consoni after Raphael.
  • The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.