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An episode in Macbeth by William Shakespeare: the three witches. Mezzotint by J.R. Smith, 1785, after H. Fuseli, 1783.
Fuseli, Henry, 1741-1825.Date: 10 March 1785Reference: 576077i
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Online
John Bull has a nightmare about income tax represented by Sir Robert Peel sitting on his chest surrounded by donkeys (asses). Coloured lithograph by H.B. (John Doyle), 1842.
Doyle, John, 1797-1868.Date: 23 April 1842Reference: 37122i
Part of: HB sketches
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Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).
Fuseli, Henry, 1741-1825.Reference: 40971i
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Online
The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).
Fuseli, Henry, 1741-1825.Date: 20 July 1805Reference: 20349i
Books
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Aphorisms on man. Translated from the original manuscript of the Rev. John Casper Lavater, citizen of Zuric.
Lavater, Johann Caspar, 1741-1801.Date: MDCCXCV. [1795]
Books
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Aphorisms on man: / translated by the Rev. John Caspar Lavater, citizen of Zuric, from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli].
Lavater, Johann Caspar, 1741-1801.Date: MDCCLXXXVIII [1788]
Books
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Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.
Lavater, Johann Caspar, 1741-1801Date: 1789-1798 [i.e. 1788-1799]
Mixed materials
Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.
Lavater, Johann Caspar, 1741-1801.Date: December 1791
Books
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The temple of nature, or, The origin of society : a poem, with philosophical notes / by Erasmus Darwin.
Darwin, Erasmus, 1731-1802.Date: 1804
Pictures
The head of John the Baptist is brought to Salome; Bacchus stands behind her with a dismembered stag. Engraving by T. Holloway after J.H. Füssli.
Fuseli, Henry, 1741-1825.Reference: 22684i
Pictures
Online
A woman sitting on the ground with crossed legs, her head covered in her lap; representing Silence. Etching by F. Legat, 1801, after J.H. Füssli, 1800.
Fuseli, Henry, 1741-1825.Date: [1801]Reference: 38952i
Pictures
Online
Mary, sister of Martha (from the New Testament). Drawing, c. 1791, after J.H. Füssli.
Fuseli, Henry, 1741-1825.Date: c. 1791Reference: 29388i
Pictures
Idealized profile of Martha Hess, exemplifying Lavater's principle of the homogeneity of the face. Drawing, c. 1791, after J.H. Füssli.
Fuseli, Henry, 1741-1825.Date: c. 1791Reference: 29443i
Books
Aphorisms on man: / translated from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli] the manuscript of the Rev. John Caspar Lavater, citizen of Zuric.
Lavater, Johann Caspar, 1741-1801Date: 1789
Pictures
Online
Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by J. Heath, 1804, after H. Fuseli.
Fuseli, Henry, 1741-1825.Date: 1 April 1804Reference: 40972i
Pictures
Online
Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by W. Bromley after J.H. Füssli (Fuseli).
Fuseli, Henry, 1741-1825.Reference: 40970i
Pictures
Online
Female and male hands (above and below respectively). Drawing after H. Fuseli, c. 1793.
Fuseli, Henry, 1741-1825.Date: c. 1793Reference: 31422i
Pictures
Online
Death looms above a group of people inflicted with various physical and mental diseases - a lazar house. Stipple engraving by M. Haughton, 1813, after H. Fuseli.
Fuseli, Henry, 1741-1825.Date: 10 October 1813Reference: 20355i
Pictures
Online
A woman fast asleep with her head hanging down, a devil is sitting on her stomach and a horse peeps through a curtain; representing her nightmare. Stipple engraving by M.J. Schmidt after J.H. Füssli (Fuseli).
Fuseli, Henry, 1741-1825.Reference: 20010i
Pictures
Online
Macbeth, Banquo and the three witches. Engraving by J. Caldwall after H. Fuseli, 23 April 1798.
Fuseli, Henry, 1741-1825.Date: 23 April 1798Reference: 576041i
Pictures
Online
Muscles and bones of the leg; thoughts on woman. Drawing and inscription by H. Fuseli, 18-.
Fuseli, Henry, 1741-1825.Date: 1800-1899Reference: 2853402i
Pictures
A witch in the moonlight, opening her hand to a mandrake plant dressed in a white veil. Drawing by or after H. Fuseli.
Fuseli, Henry, 1741-1825.Reference: 562687i

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An episode in Macbeth by William Shakespeare: the three witches. Mezzotint by J.R. Smith, 1785, after H. Fuseli, 1783.

John Bull has a nightmare about income tax represented by Sir Robert Peel sitting on his chest surrounded by donkeys (asses). Coloured lithograph by H.B. (John Doyle), 1842.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).

The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).

Aphorisms on man. Translated from the original manuscript of the Rev. John Casper Lavater, citizen of Zuric.

Aphorisms on man: / translated by the Rev. John Caspar Lavater, citizen of Zuric, from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli].

Essays on physiognomy; designed to promote the knowledge and the love of mankind / ... Illustrated by more than eight hundred engravings accurately copied; and some duplicates added from originals. Executed by, or under the inspection of Thomas Holloway. Translated from the French by Henry Hunter.

Excerpt from Lavater's essays on physiognomy. Engravings and letterpress, 1791.

The temple of nature, or, The origin of society : a poem, with philosophical notes / by Erasmus Darwin.

The head of John the Baptist is brought to Salome; Bacchus stands behind her with a dismembered stag. Engraving by T. Holloway after J.H. Füssli.

A woman sitting on the ground with crossed legs, her head covered in her lap; representing Silence. Etching by F. Legat, 1801, after J.H. Füssli, 1800.

Mary, sister of Martha (from the New Testament). Drawing, c. 1791, after J.H. Füssli.

Idealized profile of Martha Hess, exemplifying Lavater's principle of the homogeneity of the face. Drawing, c. 1791, after J.H. Füssli.

Aphorisms on man: / translated from the original manuscript [of 'Vermischte unphysiognomische Regeln', vol. 1, by Henry Fuseli, i.e. J.H. Fuessli] the manuscript of the Rev. John Caspar Lavater, citizen of Zuric.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by J. Heath, 1804, after H. Fuseli.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by W. Bromley after J.H. Füssli (Fuseli).

Female and male hands (above and below respectively). Drawing after H. Fuseli, c. 1793.

Death looms above a group of people inflicted with various physical and mental diseases - a lazar house. Stipple engraving by M. Haughton, 1813, after H. Fuseli.

A woman fast asleep with her head hanging down, a devil is sitting on her stomach and a horse peeps through a curtain; representing her nightmare. Stipple engraving by M.J. Schmidt after J.H. Füssli (Fuseli).

Macbeth, Banquo and the three witches. Engraving by J. Caldwall after H. Fuseli, 23 April 1798.

Muscles and bones of the leg; thoughts on woman. Drawing and inscription by H. Fuseli, 18-.

A witch in the moonlight, opening her hand to a mandrake plant dressed in a white veil. Drawing by or after H. Fuseli.