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The children of Niobe are shot with arrows by Artemis and Apollo. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1594]Reference: 2475245i
Pictures
Artemis and Apollo, seated, observe the disrespect of Niobe. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1594]Reference: 2475246i
Pictures
Four nymphs picking fruit from trees in a forest, in the presence of a river god. Lithograph by F. Piloty, ca. 1811, after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1811]Reference: 3009249i
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Pagans worshipping a statue of Latona in preference to Niobe. Etching by G.B. Galestruzzi, 1656, after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: 1656Reference: 11505i
Pictures
Niobe orders people to bring offerings to her, not to Latona. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1594]Reference: 2475248i
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Online
The books of rituals compiled by Numa Pompilius being handed over to the people. Etching by G.B. Galestruzzi after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1699]Reference: 2472433i
Pictures
Perseus with the head of Medusa turning into stone Polydectes and his army. Engraving by C. Alberti after Polidoro da Caravaggio, 1525.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1609?]Reference: 2475262i
Pictures
Cloelia fleeing on horseback across the Tiber. Engraving by C. van Kittensteyn, 1619, after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: 1619Reference: 2475282i
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Online
The birth of Christ among ruins. Engraving by J. Sadeler after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Reference: 24013i
Pictures
People carrying household goods in a procession, encouraged by a trumpeter. Etching after P.S. Bartoli after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1699]Reference: 2475280i
Pictures
People bringing offerings to the statue of Latona, encouraged by a priest. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1594]Reference: 2475247i
Pictures
Francesco Maurolico. Line engraving by M. Bovis after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Reference: 6399i
Pictures
The families of the Sabine women enter Rome (?). Engraving by C. Alberti after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1609 and 1615?]Reference: 2475281i
Pictures
The wounded Scipio (?) in armour, surrounded by soldiers and two men in civil dress. Colour aquatint with etching by J.T. Prestel, 1782, after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1782?]Reference: 2854856i
Pictures
Romans abducting the Sabine women. Engraving by C. Alberti after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1609?]Reference: 2475268i
Pictures
Gaius Mucius Scaevola's ordeal by fire: Gaius Mucius is thrusting his hand into the fire blazing on an altar before the king Lars Porsena, surrounded by onlookers. Etching and colour woodcut by A. Pond, 1735, after P. Caldara da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1735]Reference: 2917964i
Pictures
Online
Two sibyls. Engraving by H. Goltzius after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: 1590-1599Reference: 11346i
Pictures
Online
A procession towards a sacrifice. Lithograph by F. Piloty after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [1811]Reference: 524671i
Pictures
Online
Francesco Maurolico. Line engraving by G. Guzzi after P. da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Reference: 6400i
Pictures
Online
The Mass. Colour mixed media print by the Comte de Caylus and N. Le Sueur after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Reference: 11684i
Pictures
A Roman emperor holding two swords addresses a man in a toga who holds a bowl or mirror to his face. Etching after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1699?]Reference: 2535378i
Pictures
Online
The rape of the Sabine women. Etching by G.B. Galestruzzi after Polidoro da Caravaggio.
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Date: [between 1600 and 1699]Reference: 11731i
Pictures
Online
Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
Polidoro, da Caravaggio, approximately 1495-approximately 1543.Reference: 24713i

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The children of Niobe are shot with arrows by Artemis and Apollo. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.

Artemis and Apollo, seated, observe the disrespect of Niobe. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.

Four nymphs picking fruit from trees in a forest, in the presence of a river god. Lithograph by F. Piloty, ca. 1811, after Polidoro da Caravaggio.

Pagans worshipping a statue of Latona in preference to Niobe. Etching by G.B. Galestruzzi, 1656, after Polidoro da Caravaggio.

Niobe orders people to bring offerings to her, not to Latona. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.

The books of rituals compiled by Numa Pompilius being handed over to the people. Etching by G.B. Galestruzzi after Polidoro da Caravaggio.

Perseus with the head of Medusa turning into stone Polydectes and his army. Engraving by C. Alberti after Polidoro da Caravaggio, 1525.

Cloelia fleeing on horseback across the Tiber. Engraving by C. van Kittensteyn, 1619, after Polidoro da Caravaggio.

The birth of Christ among ruins. Engraving by J. Sadeler after Polidoro da Caravaggio.

People carrying household goods in a procession, encouraged by a trumpeter. Etching after P.S. Bartoli after Polidoro da Caravaggio.

People bringing offerings to the statue of Latona, encouraged by a priest. Engraving by J. Saenredam, 1594, after H. Goltzius after Polidoro da Caravaggio.

Francesco Maurolico. Line engraving by M. Bovis after Polidoro da Caravaggio.

The families of the Sabine women enter Rome (?). Engraving by C. Alberti after Polidoro da Caravaggio.

The wounded Scipio (?) in armour, surrounded by soldiers and two men in civil dress. Colour aquatint with etching by J.T. Prestel, 1782, after Polidoro da Caravaggio.

Romans abducting the Sabine women. Engraving by C. Alberti after Polidoro da Caravaggio.

Gaius Mucius Scaevola's ordeal by fire: Gaius Mucius is thrusting his hand into the fire blazing on an altar before the king Lars Porsena, surrounded by onlookers. Etching and colour woodcut by A. Pond, 1735, after P. Caldara da Caravaggio.

Two sibyls. Engraving by H. Goltzius after Polidoro da Caravaggio.

A procession towards a sacrifice. Lithograph by F. Piloty after Polidoro da Caravaggio.

Francesco Maurolico. Line engraving by G. Guzzi after P. da Caravaggio.

The Mass. Colour mixed media print by the Comte de Caylus and N. Le Sueur after Polidoro da Caravaggio.

A Roman emperor holding two swords addresses a man in a toga who holds a bowl or mirror to his face. Etching after Polidoro da Caravaggio.

The rape of the Sabine women. Etching by G.B. Galestruzzi after Polidoro da Caravaggio.

Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).